Saturday, December 21, 2019

Leonard Cohen - live at the isle of wight







This is certainly insignificant an article to mention Leonard Cohen as a singer-songwriter whose masterful work instead demands much more than any arduous task may call for. That said, being Cohen at the top part of "my list" any further delay to mention some of his music stuff would be continuously causing somewhat uneasy feeling in me because I love to share music. Inevitably in here, I have to scratch the surface and let me start lightly with some music stuff of Cohen and hope to gain little courage before I may do more in the future.

Be gently reminded that this write-up is not an introduction of Leonard Cohen but just brief mention of one live music album titled Leonard Cohen Live at the Isle of Wight 1970. The concert was recorded in 1970 in the forms of music CD and DVD. If you may ask, my best guess of the close-to-40-year delay could be none other than contract/copyright issues surrounding it then.

The little lovely booklet coming with the album tells lots of stories back then. Perhaps these could set the meaningful backdrop to appreciate the music. Amongst others, the booklet tells that there was a crowd of 600,000!!! Or "population" makes more appropriate descriptive noun? Biggest rock concert has ever taken place in the history of mankind? Oh no, the booklet adds on to depict the chaotic scenes caused such as fire, trampled fence etc. Then as claimed, the promoters back then only expected 150,000- 200,000 turnouts but... Some organizer staff went to wake Cohen up who was then taking nap in trailer... Leonard Cohen appeared in pajamas covered by khaki safari jacket and jeans, and hey boy, Cohen had domesticated the "population"... Oh yeah, you please read on!

The music album contains 19 tracks of which certain tracks have captured Cohen's talking or recitation. Anyone who has never known him earlier could be attracted by his lazy (perhaps lethargic too) deep-throated baritone vocal, even his voice claims intense perception of underlying musicality. After the introductory Track1, Cohen starts with "Like [drag]... a bird..." . Oh boy, I was melted, I could have screamed at the top of my voice if I were at the concert. Essentially in each of my listening session, I was caught as if I have never known him neither have I listened to him before yet I could not stop it.

Invariably, Cohen's vocal still appeals very much to me after 20 years of enjoyment with the album titled Songs of Love and Hate. If you may understand what I mean, it is just like any spectacular live music event which induces the audience into the transcendental state of musicality, from Track1 to the end, no one could pull out as it is utmost enjoyable!!! Cohen continues with So Long, Marianne which is more up-tempo. Then more beautiful tracks carry on. Many tracks of the album, if not all, come with the backing vocals of the most hardworking ladies. Most tracks, if not all, kick off with nylon stringed guitar romantically and mysteriously tugging my heartstrings. Check out Suzanne, You Know Who I Am, Sing Another Song, Boys and essentially the whole album!

Many songs captured in this live album have stood the test of time, many of them are still much liked especially Famous Blue Raincoat but this interpretation is not one I would recommend at all. Nonetheless I love to recommend the version as captured in Songs of Love and Hate album. I guess up-tempo beats of this song could have shaken off the heavy emotional baggage which is indispensable, sigh... Anyway, this seems to be the only track I do not like.

Beware and cautious!!! This live music album contains highly contagious music. There always perceived mixed feelings like poetic, mysterious, deep sorrow, cynic, melancholic and even confused feelings. Cohen’s music stuff could be rather acquired tastes; please handle with care as the doctrine of Caveat Emptor applies.

Music review by KTL crossallover

Neil Young Live at massey hall




Neil Young (NY) was totally new to me when a veteran audiophile friend "staged" an introduction of the prolific artistry captured in the album titled Live at Massey Hall 1971 (LMH). It is a very intimate evening of self-accompanying concert with either single acoustic guitar or piano. I made no mistake, Neil, himself and Young throughout the concert which took place in Massey Hall as the album title has so spelt out.

NY is a Canadian singer-songwriter who was a 25-year-young man back then and LMH was recorded ~40 years ago. Not sure what exact genres NY sings, but upon consultation with my friendly walking music-dictionary, apparently LMH only showcases the very soft side of NY.

1st track in LMH kicks off very promising and crisply steely guitar is strumming away. Oh yeah, this has caught and kept my interest with NY's music and certainly the urge to continue till the CD stops by itself. NY's has high pitched vocal which appears youthfully and energetically fresh and enthusiastic. NY's music captured in LMH generates some kind of suction power for just anyone to look forward to the next following musical note, I confidently guess.

While I have found no special mention as tracks 1- 3 run through, I do enjoy NY's vocal very much accompanied by his skillful guitar. Each time I spin this album, I look forward to appreciating the very next musical note be it interpreted by NY's vocal or his strings or piano. As the intense musicality is echoing in my mind whenever I listen, NY strikes the next note thus the self-renewing urge for me to "chase" on, on and on...

As LMH progresses to Track 4, at the hit of just the very 1st piano note, oh GOD, how on earth could there be such romantically sounding piano with beguiling tonality! Many a time, I seriously doubt my likings being more inclined to music or sound, haha! (In any way, who cares if we like music or sound?) Apparently NY also plays piano very well to compliment his own singing. The piano notes decay gracefully into the air rendering it highly musical ambience, notes at the midrange are very comfortable to listen to and the nice-textured low notes of grand piano may call on our emotions at ease!

Track 5 reverts to NY's skillful guitar coming up with very hearty tempo, in fact I may term it as rather anticipating with highly rhythmic bass notes punctuated with pauses at times, which are just musically meaningful. For those who are not familiar with Dylan's stuff, Track 5- Helpless sounds little like the tune of Knocking on Heaven's Door.

Track 7- A Man Needs a Maid/Heart of Gold Suite sounds interesting being it made of two different songs. Must you audition to believe it? Youtube: A Man Needs a Maid / Heart of Gold Suite.

Friends, might as well you click on this too to check on Track 5- Helpless . But oops... much regrets, you just have to pick up LMH, found no Youtube.

Well well well... More than an hour of high pitched vocal only accompanied by either guitar or piano, but no, my ears are never tired. To appreciate LMH, probably you could conversely imagine how monotonous could it be had NY not performed extremely well. Without any doubt, NY have truly charged up every single air molecule in Massey Hall making each second of the concert enjoyable!!! Care to recall who other artists did well with single instrument throughout whole concerts without any backup at all, whether instrument or vocal backup.

No time to elaborate more, enough said, after all I love LMH essentially in its entirety.

Music review by KTL crossallover